classical

BeethovenclassicalVideoOff the shelfBerlin PhilharmonicShostakovichtheatreChicago Symphony OrchestraPortland, ORMusicClassical MusicconcertgebouwSeattle Chamber Music SocietyChicago, ILPortlandChamber MusicPollPreviewamsterdamLive BlogSymphonyRadioComposerrhiannon-giddensDanceVocalWeek in classical musicThe RingVisiting OrchestraSeattle, WAchicago-symphonyklaus-makelaquad-citiesNew YorkTchaikovskyWorld PremierePianoConductorInstrumentalConcertoQ&AChicagoQuarter NotesRoad ReportEarly MusicLos AngelesChoral MusicBartokSpecial to the Gathering NoteMahlerVancouvercelloContestChoralCD ReviewsCommentarySeattleNew MusicOperaRichard StraussSibeliusQuad City Symphonymalcolm-xnetherlandschicago-civic-orchestraGustav MahlerorchestraNewsThe FivePercussionIgor Stravinskyanton-brucknerelectionInterviewmichael-abelsartsReview
classicalclassical
+3+3
Tension and drama abound in CSO’s performance of Tchaikovsky’s Fourth and Walton’s Viola Concerto

Tension and drama abound in CSO’s performance of Tchaikovsky’s Fourth and Walton’s Viola Concerto

Zach Carstensen
Zach Carstensen